LISA Career Ratings: 7.40 Average Revealed
LISA career ratings offer an interesting snapshot of how the BLACKPINK star’s solo music has evolved since her debut as a solo artist. A recent retrospective from The Bias List places her overall rating average at 7.40, while identifying “Born Again” as her highest-rated song and “Money” as her lowest-rated track.
The ranking is not an official industry score or a measurement of commercial success. Instead, it represents one critic’s personal assessment of LISA’s songs over several years. That distinction is important because the numbers reflect critical preference rather than streaming figures, sales, chart positions or fan popularity.
Still, the exercise provides an interesting way to examine LISA’s development outside BLACKPINK. Since releasing “LALISA” in 2021, she has moved through several distinct phases, including her 2024-25 international pop expansion and the launch of her debut full-length album, Alter Ego.
With a new era already underway in 2026, the retrospective also provides a useful moment to look back at the highs and lows of LISA’s solo discography.
LISA Career Ratings Show a 7.40 Average
According to The Bias List’s retrospective, LISA’s overall career average is 7.40. The website compiled its existing song-review scores and arranged them chronologically to create a broader view of her solo career.
The methodology comes with several limitations.
The ratings are subjective, and the reviewer explicitly describes them as personal opinions. The retrospective also includes songs categorized as “Song Review” entries, including Japanese releases and collaborations with another artist. At the same time, certain categories, such as “Buried Treasures” and solo or sub-unit releases covered elsewhere, were excluded.
The site also uses its most current rating when a song’s score has subsequently changed through features such as “Risers and Fallers” or other retrospective ranking posts.
That means the 7.40 figure should be understood as a critic’s aggregated score rather than an objective measurement of LISA’s artistic ability.
Nevertheless, it gives fans a simple way to see how individual releases have been received within one consistent critical framework.
Born Again Emerges as LISA’s Highest-Rated Song
The biggest surprise in the ranking may be the song occupying the top position.
The Bias List identifies “Born Again” as LISA’s highest-rated song.
Released in February 2025, “Born Again” features Doja Cat and RAYE and served as one of the major singles from LISA’s debut solo album, Alter Ego. Sony Music described the track as an energetic pop collaboration bringing together three international artists.
The song also has an unusual history. Official Charts notes that “Born Again” was originally developed for RAYE before being reworked for LISA, with Doja Cat subsequently contributing to the final version.
That background makes the track particularly notable within LISA’s catalog.
Rather than relying solely on the formula established by her earliest solo singles, “Born Again” positioned her within a broader international pop setting. The collaboration with two prominent Western artists also reinforced the direction LISA was taking with Alter Ego.
The song became LISA’s first solo entry into the UK Official Singles Chart’s Top 40, eventually peaking at No. 13.
Its critical position in The Bias List’s retrospective therefore adds another layer to an already significant song in LISA’s career.
Money Lands at the Bottom of the Ranking
At the opposite end of the LISA career ratings is “Money.”
The Bias List names the 2021 track as LISA’s lowest-rated song.
“Money” was part of the LALISA era and became one of the most recognizable songs associated with LISA’s early solo career. Its commercial visibility, however, does not necessarily translate into a high critical score.
That distinction highlights one of the most important aspects of this ranking: popularity and critical evaluation are not the same thing.
A song can dominate social media, generate viral choreography and become widely recognized while still receiving a comparatively modest score from an individual reviewer. Conversely, a more musically ambitious or stylistically different track can receive stronger critical approval without becoming the biggest commercial hit.
For LISA, “Money” became an especially prominent part of her international identity. Yet the retrospective places it below her later work, suggesting that the critic sees greater artistic value in some of the directions she explored after her initial solo debut.
LALISA to Rockstar: A Challenging Early Period
The retrospective identifies “LALISA” through “Rockstar” from 2021 to 2024 as one of LISA’s notable slump phases.
That period begins with her first solo single, “LALISA,” released in 2021.
The song was designed to establish LISA’s individual identity outside BLACKPINK. Its title directly incorporated her stage name, while its presentation leaned heavily into confidence, performance and star power.
“Money” followed as another major component of the era.
Several years later, LISA returned with “Rockstar,” beginning a new phase in her solo career. The track ultimately became one of the major foundations for Alter Ego.
Sony Music reported that “Rockstar” debuted at No. 1 on the Billboard Global Excluding U.S. chart and No. 4 on the Billboard Global 200. The song was also associated with LISA’s MTV Video Music Award for Best K-Pop.
Yet despite those commercial achievements, The Bias List’s rating trajectory does not classify the period as an “imperial phase.”
Instead, the ranking system describes it as a slump.
That is a useful reminder that critical assessments can tell a very different story from chart performance.
Alter Ego Changed the Conversation
LISA’s first full-length solo album, Alter Ego, marked an important expansion of her musical ambitions.
Released on February 28, 2025, the album contains 15 tracks and runs for approximately 42 minutes.
The project brought together a remarkably broad group of collaborators.
Among them were Rosalía on “New Woman,” Doja Cat and RAYE on “Born Again,” Tyla on “When I’m With You,” Megan Thee Stallion on “Rapunzel” and Future on “FXCK UP THE WORLD.”
This international approach represented a significant change from LISA’s first solo releases.
Instead of building the album around one dominant sonic identity, Alter Ego explored multiple pop, hip-hop and dance influences. Apple Music described the album as culturally expansive, connecting LISA’s K-pop background with a wider international pop landscape.
The concept itself was also built around multiple personas. Sony Music said LISA created five characters representing different personalities for the album.
That concept helped explain the variety across the record.
LISA’s Second Slump: Dream to SaWaDiKa
The Bias List identifies another slump period, this time covering “Dream” through “SaWaDiKa” from 2025 to 2026.
The timing is particularly interesting because this period includes the Alter Ego era and the beginning of LISA’s next musical chapter.
“Dream” represented one of the more personal sides of her solo work, while “SaWaDiKa” marked the beginning of a new era in 2026.
Unlike the first slump identified by the retrospective, this period comes after LISA had significantly expanded her international collaborations and solo profile.
That suggests the ranking is not necessarily arguing that LISA’s career has declined in a straightforward way. Instead, it indicates that the critic’s strongest reactions have been concentrated around certain individual songs rather than an uninterrupted upward trajectory.
SaWaDiKa Begins a New LISA Era
The arrival of “SaWaDiKa” makes the retrospective especially timely.
The song was released in September 2026 as the lead single from LISA’s upcoming EP, Press Play. Recent reports say the six-track EP is scheduled for release on October 23, 2026.
The title itself draws from the Thai greeting “sawatdee ka,” creating a direct connection between LISA’s global career and her Thai identity. The accompanying music video was filmed in Bangkok, further emphasizing that connection.
Musically, the track also represents a return to LISA’s rap-focused identity.
That makes it an intriguing starting point for the next chapter of her career.
If future releases receive stronger reviews, the 7.40 career average could eventually shift. However, the current retrospective provides a snapshot of LISA’s catalog before the full Press Play era has unfolded.
What the 7.40 Score Really Says About LISA
The most useful takeaway from the LISA career ratings is not necessarily the exact number.
A 7.40 average places her catalog in a generally positive range within the reviewer’s system, but the spread between her highest and lowest-rated songs reveals something more interesting: LISA’s solo career has been uneven from a critical perspective.
Some songs have clearly connected more strongly with the reviewer than others.
“Born Again” sits at the top, while “Money” occupies the bottom. Between those extremes are several different musical directions, from the brash confidence of “LALISA” to the global pop experimentation of Alter Ego.
That variety is part of what makes LISA’s solo career difficult to summarize with a single sound.
She has experimented with hip-hop, dance-pop, disco-influenced production and international collaborations while maintaining the performance-focused identity that made her famous through BLACKPINK.
LISA’s Solo Career Is Still Evolving
LISA’s solo career is far from finished.
Her first full-length album expanded her musical world, while her 2026 releases have opened another chapter. Press Play is expected to continue that progression, beginning with “SaWaDiKa.”
The next stage could therefore change how her catalog is viewed.
The Bias List’s ranking is ultimately one critic’s interpretation, not a definitive verdict. Fans may strongly disagree with the placement of “Money,” “LALISA,” “Rockstar” or any other song.
That disagreement is part of the appeal of music rankings.
What the retrospective successfully does is turn several years of individual reviews into a broader narrative. It shows where one critic believes LISA has been strongest, where her music has been less convincing and how her artistic direction has shifted over time.
For now, the headline numbers are clear: LISA has a 7.40 average, “Born Again” is the highest-rated song and “Money” is the lowest-rated one in The Bias List’s retrospective.
As the Press Play era develops, however, those numbers may become only one chapter in a much larger story.
