Cambodia to Reclaim 13 Looted Khmer Masterpieces from US Museum
Cambodia is set to welcome home 13 looted Khmer masterpieces, some of which date back to the 10th century. The Asian Art Museum of San Francisco has agreed to return these invaluable artifacts, marking a major milestone in the country’s efforts to reclaim its cultural heritage.

On December 18, Cambodia’s Ministry of Culture and Fine Arts (MCFA) confirmed the return of the 13 artifacts, following a vote by the museum’s board on September 24, 2025. The vote acknowledged that the pieces were illegally taken from Cambodia, violating national laws. This conclusion was supported by research from U.S. Homeland Security Investigations and Cambodian experts.
A Symbol of Cultural Restoration

Phoeurng Sackona, Cambodia’s Minister of Culture and Fine Arts, praised the return, calling these artifacts “living fragments of Cambodian identity.” “Their return is a restoration of our cultural memory and a healing process from the trauma of heritage loss during the conflict,” Sackona said.

Minister Sackona also acknowledged the museum’s transparency in sharing its provenance research, which played a crucial role in the artifacts’ repatriation.
Key Artifacts Returning to Cambodia
Among the 13 returned artifacts are the Head of Harihara, a 10th-century sculpture, and a female deity (Goddess Uma) from the same era. Also returning is the Prajnaparamita, a statue dating back to the 12th century. These pieces represent Cambodia’s rich history and will contribute to the restoration of the country’s cultural legacy.

Cambodia’s Ongoing Efforts
Since 1996, Cambodia has successfully reclaimed over 1,000 looted artifacts. The repatriation of these 13 masterpieces is part of a broader global movement to return stolen cultural property to its rightful owners. Countries like the U.S., the U.K., and France have been instrumental in supporting Cambodia’s efforts.

“The return of these treasures is not only a victory for Cambodia but for global cultural preservation,” Minister Sackona emphasized. “It highlights the importance of international cooperation in protecting our shared heritage.”
Looking Ahead
While this repatriation is a significant victory, Cambodia continues its fight to recover additional looted artifacts. The return of these 13 masterpieces serves as a powerful reminder of the need to protect cultural heritage and the role of international collaboration in righting historical wrongs.
Conclusion
The return of 13 Khmer masterpieces from the Asian Art Museum is a landmark moment for Cambodia. These artifacts are symbols of the nation’s resilience and efforts to restore its lost cultural heritage. As Cambodia continues to recover its treasures, this event underscores the global movement to protect and preserve cultural history.
