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CRAXY Song Ratings Show a 7.40 Career Average
CRAXY song ratings offer an interesting look at how the K-pop group’s music has developed over the course of its career. A new career retrospective from The Bias List places CRAXY at an overall average rating of 7.40, giving the group a solid position while also highlighting some clear highs and lows.
The feature is part of a broader series examining artists with enough reviewed material to create a chronological picture of their careers. Rather than judging only one comeback, the format looks across a group’s catalog and uses individual song ratings to identify trends.
For CRAXY, the result is a career profile led by “Aria”, while “Poison Rose” occupies the lowest-rated position. The analysis also identifies a longer slump running from “GAIA” through “STUPIDZ,” covering 2021 to 2024.
That combination makes CRAXY particularly interesting to examine. The group has never followed the most conventional K-pop path, and its catalog has moved through several distinct concepts and sounds since its 2020 debut.
CRAXY Song Ratings Put “Aria” on Top
The biggest headline from the latest ranking is simple: “Aria” is CRAXY’s highest-rated song in The Bias List’s career assessment.
“Aria” arrived during CRAXY’s debut era in 2020. It was part of the group’s first mini album, My Universe, and became an early statement of the identity the group wanted to establish.
CRAXY officially entered the K-pop scene in 2020, following the release of pre-debut material and the group’s debut project. Their early catalog included “My Universe” and “Aria,” giving listeners a first introduction to their style and performance identity.
The strong placement of “Aria” is significant because debut songs do not always remain the most highly regarded tracks in an artist’s catalog. As groups mature, production becomes more ambitious, concepts change and members gain experience.
In CRAXY’s case, however, the debut-era song has maintained enough impact to remain at the top of this particular retrospective.
That does not necessarily mean “Aria” is objectively the group’s best song. The Bias List itself emphasizes that the ratings are subjective and represent one reviewer’s personal opinion.
Instead, the ranking is useful as a snapshot of how one long-running K-pop review platform views CRAXY’s musical journey.
“Poison Rose” Takes the Lowest Spot
At the opposite end of the CRAXY song ratings is “Poison Rose.”
The track was released in November 2022 and later appeared on the group’s 2023 mini album XX.
Its position at the bottom creates an interesting contrast with the rest of CRAXY’s catalog. “Poison Rose” came during a period when the group was already experimenting with a more mature and forceful musical identity.
The song also sits close to an important transition in CRAXY’s career. The group followed the track with the XX era, which included “NUGUDOM,” “BLACK OUT,” “FINGER FLICK,” “Lucid Dream” and other material.
That means the lowest-rated song does not necessarily represent a lack of ambition. Instead, it shows how subjective music criticism can be. A release can be important to an artist’s development while still receiving a lower score from a particular reviewer.
For fans, this is one of the more interesting aspects of the ranking. A personal rating can encourage discussion rather than settle the question permanently.
CRAXY’s 7.40 Average Tells a Bigger Story
The most useful number in the retrospective may actually be the 7.40 average rating.
Rather than focusing only on the highest or lowest song, the average gives readers a broad impression of CRAXY’s catalog. A 7.40 score suggests a discography with plenty of material that the reviewer considers worthwhile, even if the group has experienced noticeable fluctuations over time.
The score also places the group in an interesting middle ground.
CRAXY is not being presented as an artist whose entire catalog receives near-perfect marks. At the same time, the average is far from a dismissal of the group’s work.
Instead, the number reflects a career with strong individual moments, experimentation and some less successful releases.
This is particularly relevant for K-pop groups with several years of releases. Their musical identity can change quickly because of different producers, concepts, creative teams and market strategies.
CRAXY’s catalog illustrates that process clearly.
The “GAIA” to “STUPIDZ” Slump
One of the most revealing details in the retrospective is the identification of a slump phase stretching from “GAIA” to “STUPIDZ,” covering 2021 through 2024.
“GAIA” was released in October 2021 as the title track of ZERO. The group then continued its story with releases including ZERO 2, Who Am I, “Poison Rose,” XX and later material.
The period therefore covers a substantial portion of CRAXY’s post-debut career.
That makes the “slump” label more interesting than a criticism of one individual song. It represents the reviewer’s overall perception of a multi-year period.
During these years, CRAXY explored a variety of concepts and sounds. “Dance with God,” “Undercover,” “Requiem,” “NUGUDOM” and “No Limit” all formed part of the group’s expanding catalog.
The variety is important because it shows that CRAXY was not simply repeating one formula.
For some listeners, that experimentation may be the most appealing part of the group. For others, changes in direction can make a discography feel inconsistent.
The 7.40 average ultimately captures both sides of that story.
CRAXY’s Discography Has Continued to Evolve
CRAXY’s musical development becomes clearer when the group’s releases are viewed chronologically.
The group began with My Universe in 2020. It then moved into the ZERO era in 2021 before releasing ZERO 2 and Who Am I in 2022. The following year brought XX and the digital single “NO LIMIT.”
In 2024, CRAXY returned with the single album RE_, which included “CRAZY RACER,” “STUPIDZ” and “DAISY.” The group also released “MASQUERADE” that year.
The progression demonstrates why a career-ranking format can be more informative than a simple list of favorite songs.
Listeners can see how the group moved from its debut identity toward increasingly varied concepts. The catalog contains darker material, performance-heavy tracks, rap-focused releases and songs that emphasize different aspects of the members’ musical personalities.
Streaming platforms also continue to list songs such as “Undercover,” “NUGUDOM,” “MASQUERADE,” “Cypher(Position)” and “Poison Rose” among CRAXY’s catalog.
“NUGUDOM” Became an Important Career Moment
Although “NUGUDOM” is not the highest-rated song in this particular retrospective, it deserves attention when discussing CRAXY’s career.
The track appeared on XX in 2023 and became associated with a more direct message about the difficulties faced by less-established artists.
The release was part of a significant period for the group. Before the XX era, CRAXY reorganized elements of its image and creative direction, making the project feel like an important reset.
That context helps explain why a career rating should not be viewed purely as a ranking of songs.
Some releases matter because of their musical quality. Others matter because they represent a turning point in an artist’s identity.
CRAXY has several examples of the latter.
Why Career Song Ratings Are Useful for K-Pop Fans
The concept behind The Bias List’s series is particularly useful for long-running K-pop acts.
The publication explains that its career features collect previously published song ratings and arrange them chronologically. It also uses the most current rating when an older song has been reassessed in later features.
That methodology creates something different from a traditional album review.
A normal review asks whether one release works. A career ranking asks a larger question: How has this artist performed across time?
For fans, that can reveal patterns that are difficult to notice when listening to songs individually.
A group may have a brilliant debut but struggle to maintain momentum. Another group might improve steadily. Some artists may alternate between outstanding releases and disappointing ones.
CRAXY’s 7.40 average suggests a catalog that sits somewhere between those extremes.
The absence of an identified “imperial phase” is also notable. The Bias List lists no imperial phase for CRAXY, while specifically identifying the 2021–2024 period as a slump.
That does not mean CRAXY lacked successful songs. Rather, it indicates that the reviewer did not identify a sustained period in which the group’s releases consistently reached an especially high level.
CRAXY Song Ratings Remain Subjective
It is important to keep the ranking in perspective.
The CRAXY song ratings are not an official industry score, chart ranking or measurement of commercial success. They are editorial opinions.
The original feature explicitly notes that its ratings are subjective and reflect the opinion of one person.
That distinction matters.
A song receiving the lowest score does not automatically mean it is unpopular. Likewise, the highest-rated track is not necessarily the one with the largest streaming numbers, strongest sales or biggest fanbase.
Music criticism is inherently personal.
One listener may prefer the intensity of “NUGUDOM.” Another may favor the atmospheric qualities of “Undercover.” Someone else might consider “Aria” the definitive CRAXY song.
The value of the retrospective is therefore less about declaring an absolute winner and more about creating a framework for discussion.
What the 7.40 Score Says About CRAXY
Taken as a whole, the latest career retrospective paints CRAXY as a group with a solid but uneven musical journey.
The 7.40 average indicates that the catalog has delivered plenty of material worth revisiting. “Aria” provides the highest point in the ranking, while “Poison Rose” represents the lowest point. Between those extremes is a discography shaped by experimentation and several changes in direction.
The biggest takeaway may be the absence of a single dominant era.
Instead, CRAXY’s story is defined by movement.
From My Universe and “Aria” to ZERO, Who Am I, XX and RE_, the group has repeatedly adjusted its musical and visual identity. That makes the group’s catalog particularly interesting for fans who enjoy following how K-pop acts develop over several years.
And while The Bias List’s assessment identifies a lengthy slump from “GAIA” to “STUPIDZ,” the overall score remains comfortably above the midpoint of a 10-point scale.
Final Verdict on CRAXY’s Career Ranking
The latest CRAXY song ratings retrospective gives fans a concise way to understand the group’s musical history.
With an overall 7.40 rating average, CRAXY emerges as an act with several strong releases but also noticeable inconsistencies. “Aria” stands as the highest-rated song, while “Poison Rose” lands at the bottom. The period from “GAIA” to “STUPIDZ” is identified as the group’s major slump, and no imperial phase is listed.
Ultimately, the ranking should be viewed as one critic’s musical map rather than a definitive verdict.
CRAXY’s discography is broad enough to support very different opinions, which is part of what makes the group worth revisiting. For newer listeners, the ranking can serve as a starting point. For longtime fans, it offers something more entertaining: a reason to debate which songs deserve to rise, fall or remain exactly where they are.
Suggested internal link: Add a link here to your website’s existing K-pop reviews / K-pop news / CRAXY article.
Suggested external source: The Bias List — CRAXY: A Career In Song Ratings
Additional music reference: CRAXY on Apple Music
